A young bride takes a drug that ends her pregnancy, and her husband divorces her. In the future, she is visited by the ghost of her "Child-That-Might-Have-Been" and taken to see her ex-husband (happily married with children), a land where the children of the future wait to be born, and her future damnation to hell.
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Deceit (sometimes referred to as The Deceit) is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux.
Olaf writes his memoirs, before his execution. He tells of his life as a struggling farmer when Renie, stranded in the village, stays one night in his home and Olaf falls in love with her.
During the Easter Carnival, Dolores de Cordova flirts with Juan Estudillo, not knowing that he is a member of the family with whom her ancestors have long feuded.
When nurse Gloria has financial difficulties, her friend Dr. Ana Torres invites her to move with her six year-old daughter Vicky to her old big house where she runs a gynecologic clinic.
This psychedelic tour of life after death is seen entirely from the point of view of Oscar, a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda.
After falling pregnant to her boyfriend's best friend, a young woman commits suicide. She returns to haunt her unborn child's father while her friend seeks revenge on the person who drove her to her fate.
In the sweltering back kitchen of a Times Square restaurant, undocumented cook Pedro is caught between mounting pressures at work and a complicated romance with waitress Julia.
Ethel Warren returns from studying in Europe to make her debut in New York with the opera company in which Jean Paurel, world-famous baritone, is the star.
Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen).
A blind woman is cured by a doctor, but when her sight is restored she accidently mistakes her kind lover for his wayward younger brother and no one deems to correct her ‘fearing for her psyche’.
Emphasizing themes of female independence and the esteem due to the men serving in the armed forces, the plot involves a strong-willed young woman (Agnes Vernon) who defies her father in order to marry a soldier (Hobart Henly) instead of the well-to-do suitor preferred by her father.
Bill Pike, recently married, hits his home town about seven in the evening, and immediately is seized by a bunch of his old cronies who drag him into a hotel to have a game of poker.
When Mrs. Justwed receives a note from her mother telling her that she expects to arrive next day, her husband seems overjoyed, and says he intends to make her stay all winter.
The Devil, in the guise of a human, meets a young couple who remark upon looking at a Renaissance painting of a martyr that Evil could never triumph over Good.
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