A young bride takes a drug that ends her pregnancy, and her husband divorces her. In the future, she is visited by the ghost of her "Child-That-Might-Have-Been" and taken to see her ex-husband (happily married with children), a land where the children of the future wait to be born, and her future damnation to hell.
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Deceit (sometimes referred to as The Deceit) is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux.
This psychedelic tour of life after death is seen entirely from the point of view of Oscar, a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda.
Olaf writes his memoirs, before his execution. He tells of his life as a struggling farmer when Renie, stranded in the village, stays one night in his home and Olaf falls in love with her.
During the Easter Carnival, Dolores de Cordova flirts with Juan Estudillo, not knowing that he is a member of the family with whom her ancestors have long feuded.
When nurse Gloria has financial difficulties, her friend Dr. Ana Torres invites her to move with her six year-old daughter Vicky to her old big house where she runs a gynecologic clinic.
In the sweltering back kitchen of a Times Square restaurant, undocumented cook Pedro is caught between mounting pressures at work and a complicated romance with waitress Julia.
After falling pregnant to her boyfriend's best friend, a young woman commits suicide. She returns to haunt her unborn child's father while her friend seeks revenge on the person who drove her to her fate.
Ethel Warren returns from studying in Europe to make her debut in New York with the opera company in which Jean Paurel, world-famous baritone, is the star.
Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen).
Mabel has just gotten engaged during a housewarming party of which her mother is the hostess. When an annoying party guest persuades Mabel to dance with him, Mabel hurries through the dance and then goes to look for her fiancé, only to discover him caressing another woman.
Out of the blue, war is declared, making two otherwise friendly neighbouring nations deadly enemies. Amid the inferno, finding themselves on different sides of the conflict, Elsa and Alexis are forced to call off their engagement.
Emphasizing themes of female independence and the esteem due to the men serving in the armed forces, the plot involves a strong-willed young woman (Agnes Vernon) who defies her father in order to marry a soldier (Hobart Henly) instead of the well-to-do suitor preferred by her father.