"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center
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When a young boy makes a wish at a carnival machine to be big, he wakes up the following morning to find that it has been granted and his body has grown older overnight, but he is still the same 13-year-old boy inside.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life.
In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church.
A manic-depressive mess of a father tries to win back his wife by attempting to take full responsibility of their two young, spirited daughters, who don't make the overwhelming task any easier.
When motocross and heavy metal obsessed, 13-year-old Jacob's delinquent behavior forces CPS to place his little brother Wes with his aunt, Jacob and his emotionally absent father must finally take responsibility for their actions and each other in order to bring Wes home.
Estranged from her family, Franny returns home when an accident leaves her brother comatose. Retracing his life as an aspiring musician, she tracks down his favorite musician, James Forester.
Bart Carson is in love with Lou and even goes to jail to save Walter A. Walker, a man she says is her brother but who is really a husband who has deserted his wife and two children.
La tempesta in un cranio (Tempest in a Cranium) is an anarchic, quasi-surreal Italian comedy of multiple delights in which the timorous scion of a wealthy family is gaslit by his friends in order to prove that his fears of hereditary insanity are hogwash.
Chorus girl Peggy Malone, supporting her father and brother, marries press agent Jimmy Parsons. They settle into a quiet life until her "shiftless" relatives move in, causing marital strain and financial pressure.
Jim Glover is an engineer in charge of constructing a railroad to the sea. He gives the company president Gage a tour of the area of land coveted for its use as a short cut that can save hours on the journey.
Two men, Philip Whittemore (Henry B. Walthall) and Thorpe (Harry Northrup) both go to the Northwest to gain the right-of-way for their railroad company from D'Arcambal (Emmett King).
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