After she inherits a fortune, Ann Clemance travels to Paris to indulge herself in frivolity. She meets up with an old friend, writer Adrian Torrens, who disparages her lifestyle. Ann sees him befriend an Apache dancer and she believes he finds women in need of salvation more appealing.
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In 1870s New York, spinster heiress Catherine Sloper is courted by the much younger, penniless Morris Townsend, much to the chagrin of her overprotective father.
Grace Caldwell, a young Pennsylvania newspaper heiress living with her widowed mother, has trouble restraining herself when it comes to the amorous attentions of young men.
After a childhood of abuse by his evangelistic father, misfit Oscar Hopkins becomes an Anglican minister and develops a divine obsession with gambling.
Oliver Barrett IV is emotionally devastated by the death of his wife Jenny, and, while he tries to lose himself in his work as a lawyer, the long hours don't ease his pain, especially when he finds that his leftist views conflict with those of the senior partners at the firm.
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Wealthy Bruce MacAllister, goaded by his fiancée, Helen, into proving that he is a man of action rather than a pampered youth tells his estate administrator, Eugene Preston, that he is going east for a meeting.
Orphan Enid White becomes the ward of a cruel man. She gets close to her guardian's wife and also to his son, who secretly comes to visit when his father is not around.
Jane Maynard opens a mission in memory of philanthropist Bland Hendricks. John Anstell, son of a powerful and selfish millionaire, Michael Anstell, falls in love with Jane, to the old man's disapproval.
Deceit (sometimes referred to as The Deceit) is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux.
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