Jim Blake, the playboy son of a New York millionaire, heads west to prove himself a man. He goes to work on his father's ranch in Wyoming, and eventually wins over the locals by turning the tables on a town bully and trying to collect damages from a railroad magnate, whose trains have killed many of the Blake ranch's cattle.
The Northwest Mounties are after Cheyenne Harry for the murder of an Indian boy, and the only witness to the crime is a priest - who can't tell what he saw because the real killer, Black Michael, has confessed to him.
A college graduate returns West after ten years in the East to her home in Sulfur Springs. Virginia's mother, the owner of a rooming house has turned hard and uncaring in her absence and the girl finds comfort in her friendship with Ross Cavanagh, a forest ranger.
On the rim of the desert The Brute runs a saloon with an iron hand which he also uses on The Woman. When The Man wanders in and wins at poker The Brute tries to fleece him of his winnings but loses everything when suddenly The Man catches sight of The Woman.
Trying to trick Ma (Lydia Knott) and Mary Winters (Allene Ray) into selling their rundown ranch, which will be in the path of a future railroad, Underwood (Charles K.
Three outlaws fleeing a posse through the desert come upon a dying woman and her baby in a wagon. Before she passes away, she makes the men promise to take care of her baby and get it safely through the desert.
When Pinto reaches her eighteenth birthday, the five wealthy Arizonans who adopted her upon the death of her parents decide that ranch life will never make a lady of her.
Jimmie, Lavoris and Turpentine, three Knights of the Road (Bums/tramps), have just arrived in the West where Two-Gun Joe, the local bad man, surprises them while they eat.
While Pop Morton, a rancher, is being sworn in as deputy sheriff, his daughter Molly, to escape the unwelcome attentions of usurer Blair Hatley (who holds the mortgage on their ranch), meets Art Downs.
Frequently cited as one of the first war films to feature the female angle, “Corporate Kate” is the story of a pair of Brooklyn manicurists who go to France during WWI to entertain the troops with a song-and-dance act.
Peter Verdy falls in love with Lola (Ossi Oswalda) who is mistaken for a boy when she appears in stage regalia before a rich uncle who has other marriage plans for his nephew.