The photographer Ralph Steiner, who had been making abstract avant-garde films in the late 1920s, contributed his own parody of American economic life with PANTHER WOMAN OF THE NEEDLE TRADES, OR THE LOVELY LIFE OF LITTLE LISA (1931). The film, which opens with Jehovah (Morris Carnovsky) creating the world out of a test tube, proceeds to present a short history of the universe before the birth of Elizabeth Hawes (1903), the heroine of the film’s title. It then follows her career from childhood seamstress to Parisian designer of haute couture via a college education at Vassar. Reminiscent of Robert Florey’s THE LIFE AND DEATH OF 9413—A HOLLYWOOD EXTRA (1928) in terms of its art direction and elliptical narrative style, PANTHER WOMAN is a parody of the all-American success story, a young woman’s fantasy of a glamorous career in an age of diminishing possibilities. (via: http://encyclopedia.jrank.org/articles/pages/2902/Avant-Garde-Film.html)
A reel of the Noh drama Momiji-gari, in which Danjuro Ichikawa played opposite Onoe Kikugoro V as an ogress who has disguised herself as the Princess Sarashina.
Julius goes rabbit hunting while Alice goes bear hunting. Alice and her cat learn at their own expense that one shouldn't bother animals, whether those be rabbits or bears.
Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols.
First of several filmed versions of a popular period operetta, in which an early 18th century noblewoman in Poland falls in love with a revolutionary student activist.
A mysterious master criminal known as The Voice plots with his gang to sabotage the Milesburg Oil Company, but the rightful heir has a secret army of her own to protect her rights.
