A lost film considered one of Japan's first Tokusatsu films. The effects were done by Fuminori Ohashi, who claims to have been a modeling consultant for Godzilla 1954 (this claim is disputed by modeler Eizo Kaimai and art staff member Shinji Hiruma). The film's synopsis published in the March 1938 issue of Kinema Junpo indicates that the "Kong" featured in this film was not actually a giant monster.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.
The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach.
JSDF pilot Akane has a fateful encounter when a new Godzilla emerges in Tateyama. As a countermeasure, a cyborg named Kiryu is constructed from the remains of the original.
Bob Van Buren's rescue of an upper-class Turkish girl and her duenna in Constantinople when they are waylaid by robbers paves the way for a romance between them.
It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root.
An expedition in the South Pacific lands on a tropical island where the natives worship the mysterious deity Gappa.
Alternative movies trailers for The King Kong That Appeared in Edo
More movie trailers, teasers, and clips from The King Kong That Appeared in Edo:
KING KONG APPEARS IN EDO (1938) Surviving Footage 江戸に現れたキングコング
About a month ago I was visiting Japan and met a friend of my grandfather's who is an avid film collector. The man let me browse though his collection as I ...
King Kong appears in edo (1938) fragments
Surviving footage from lost Japanese monster movie.
Popular movie trailers from 1938
These some of the most viewed trailers for movies released in 1938:
Reflecting the filmmaker's passion for automobiles, who in his youth participated in car races, the film portrays the attempt to manufacture a new model in the Ford factory in the city of Porto.
In the village of Sableuse, the local manor has been bought out by a nouveau riche, Emile Cousinet. When his wife Lisette, a former music hall actress, flees to Paris with young Pierre de Sableuse, Cousinet asks Father Pellegrin, the village vicar, to bring the lost sheep back home.
