Debord directed his first film, "Hurlements en faveur de Sade" in 1952 with the voices of Michele Bernstein and Gil Holman. The film has no actual images; instead, it shows bright white when there is speaking and black when there is not. Long silences separate speaking parts. The film ends with 24 minutes of black silence.
Alternative movies trailers for Howlings in Favour of De Sade
More movie trailers, teasers, and clips from Howlings in Favour of De Sade:
Guy DEBORD – Hurlements en faveur de Sade (FILM ENTIER 1952)
Premier film de Guy-Ernest Debord réalisé en 1952 et projeté la même année. Un texte à retrouver dans ce volume : Mise en ligne ...
Hurlements en faveur de Sade - Guy Debord - 1952
[PUBLIC DOMAIN.] En 1952 un situacionista compañero de Cornelius Castoriadis filma "Aullidos a favor de Sade" o "Alaridos a favor de Sade" (estúpidamente ...
120 mille hurlements en faveur de Sade
A l'occasion du bicentenaire de la mort du « Divin Marquis » Bozon2X éditions présentent le nouvel opus de Raphaël Denys : « Cent-vingt mille hurlements en ...
Guy Debord - Hurlements en Faveur de Sade (performance of never realized original script)
Performed at the Time Based Arts Festival in Portland Oregon on September 15 2014 for Cinema Project's program "In Favor of Skepticism". Nour Mobarak ...
Guy Debord / Hurlements en faveur de Sade (X10)
This 1952 film normally runs 64mn. It is a critique of cinema as seen by Debord as a dead narrative form.
Compression Hurlements en faveur de Sade de Guy Debord (2009) by Gérard Courant
"Compression Hurlements en faveur de Sade de Guy Debord" (2009) par Gérard Courant est la réduction de "Hurlements en faveur de Sade" de Guy Debord en ...
Popular movie trailers from 1952
These some of the most viewed trailers for movies released in 1952:
"She Came Like a Wind" - Fabian Rosander works at a factory and is close to 50 years old. When a new employee named Lilly, a young beautiful girl, comes to the factory Fabians life takes a new turn.
Film produced for a coalition of public service groups to combat racial and ethnic hatred. The narrative follows an emotionally insecure Chicago teenager whose bigoted thinking leads him to violence.
The charming Mr. Sampat weaves his way into theatrical company with his moneymaking schemes, only to cause the everyone involved to go bankrupt, including Malini, the young actress who has fallen in love with him.
We start in Rio de Janeiro, with the statue of Cristo Redentor on Mount Corcovado, the avenue along the beach, the beauty of an historic city, and the landmark, Sugarloaf.
A girl named Souad shows up to her father, who was the result of an affair he had with her mother. The father kept it a secret in fear of his family's reputation.
