A Ukrainian comic opera with spoken dialogue in three acts with music and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.
With more than 50 years of experience as film director, Peter Greenaway (Nightwatching, Eisenstein in Guanajuato) combines the worlds of film and opera at the Verdi Festival in Parma, demonstrating what magic those two can do together with an all new approach to Giuseppe Verdi's Giovanna d'Arco, staged and edited by himself and his wife, Saskia Boddeke.
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory.
Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance.
The historic Toscanini television concerts with the NBC Symphony Orchestra. This concert, broadcast in two parts, on 26 March and 2 April 1949, from NBC Studio 8H, features the opera "Aida" by Giuseppe Verdi.
Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure.
Julie Taymor’s kaleidoscopic production returns to select cinemas this holiday season in an encore presentation of the company’s first-ever Live in HD transmission that includes tenor Matthew Polenzani, baritone Nathan Gunn, and bass René Pape in this abridged, English-language version of Mozart’s classic fable.
This DVD of a live 2005 performance from the Zürich Opera under the musical direction of Franz Welser-Möst has many things to recommend it -- the young tenor Piotr Beczala as Alfredo, the marvelous Thomas Hampson as Giorgio Germont, the playing of the Zurich Opera orchestra, the simple but effective sets by by Erich Wonder, the uncluttered stage direction by Jürgen Flimm.
A jeweller is killed in a gang robbery leaving the daughter as the only witness. When the police can't build a case against him she decides to go undercover to infiltrate the home of the killer's brother.
"The Man from Cairo", a Michaeldavid production for distribution by Lippert, with Ray Enright the only credited director on the film print, finds Mike Canelli, the man from Cairo, nosing around Algiers with mystery surrounding the people he meets and the things he does and has done to him, all deriving from the war-time theft of $100,000,000 in gold which lies somewhere in the adjacent desert.
Swindler in jail devises a scheme to blackmail the family of recently deceased people, threatening to tell supposedly incriminating facts about their dead relatives' lives.
In the spring of 1945, World War II is coming to a close. Roger Halyard, a dignified, strait-laced Englishmen, lives on a South Sea atoll with his three daughters, Gloria, Hester and Violet, along with the housekeeper, Thelma, who has raised the girls since childhood.
The new steward of Siltala ends up falling in love with the beautiful widow of the house. Their romance is endangered by misunderstandings and the fact that the estate of Siltala is swimming in debt.
A comedy of manners, the film centers on virtuous actress Patty O'Neill, who meets playboy architect Donald Gresham on the observation deck of the Empire State Building and accepts his invitation to join him for drinks and dinner in his apartment.
While Ludovic Dubois, a young summer camp monitor in Saint-Benoît, entertains the children by playing Robin Hood, the lord's niece is kidnapped by her uncle, in the castle next door.
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