Selma is a young eighteen-year-old girl and her fiance, Ali, is a workshop foreman. One day, Ali is arrested for hitting a man in a nearby cafe. This indident causes her downfall and the tragic events that occur.
Anton, a young Ukrainian man, walks through Brighton Beach, Brooklyn. He arrives outside Brooklyn Banya, a bathhouse, matching it to the image on a postcard he has been carrying.
Shelby is devastated after her father's death. Curious about her family connections, she decides to look up the DNA-based family tree, and is surprised to find out that her father had another daughter.
This is a film that celebrates the moral function of art. Sun Ma Si-tsang, at once a master Cantonese opera actor and a talented comedian, showcases an oft-overlooked style of singing, presenting it as an inspirational force that saves life and betters relationships.
In the spring of 1945, World War II is coming to a close. Roger Halyard, a dignified, strait-laced Englishmen, lives on a South Sea atoll with his three daughters, Gloria, Hester and Violet, along with the housekeeper, Thelma, who has raised the girls since childhood.
"The Man from Cairo", a Michaeldavid production for distribution by Lippert, with Ray Enright the only credited director on the film print, finds Mike Canelli, the man from Cairo, nosing around Algiers with mystery surrounding the people he meets and the things he does and has done to him, all deriving from the war-time theft of $100,000,000 in gold which lies somewhere in the adjacent desert.
Engineer Adel's journey from Europe ends and he returns to Cairo. He begins searching for his beloved Wedad, whom he had proposed to the wealthy lady, Nemat.
After being framed for a murder he didn't commit, Tom Penney (Donald Houston) serves his time and returns to his rural English home to establish a quiet life.
While Ludovic Dubois, a young summer camp monitor in Saint-Benoît, entertains the children by playing Robin Hood, the lord's niece is kidnapped by her uncle, in the castle next door.
Mickey Rooney, plugging his latest Columbia film, stops by Ralph Staub's editing room and film vault, and the two of them watch clips from Rooney's films, dating back as far as the Mickey McGuire comedies.
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