The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.
Clemente is an old Sicilian fisherman who goes on working in spite of his late age. His life is disrupted the day he finds a young refugee’s dead body stuck in the fishing nets.
For old Margaret, who lives alone, unexpected and tragic news bring positive change in her life. Doctors predict that she has only a few months left, but she starts to live again just now.
Milja, living in Kristiania in the late 1800s, becomes pregnant, but the father of the child, Julius, is not around after the child has been born and Milja decides to adopt it.
Charlie Gedelius has spent the last years abroad as a golf trainer. In Copenhagen, Denmark, he meets young Lena, who happens to be his brother-in-law's mistress.
Nando is dissatisfied with his repetitive and mortifying work. He manages to escape from daily mediocrity only at night, when he enters his fantasy world.
In 1913 a family of traveling musicians goes to the house of a rich marquise. Lolita, daughter of one of the musicians, encounters the son of the wealthy lady.
Nirmala (Padmini) is a poor but talented young dancer who falls in love with a rich man's son Sekar (Gemini Ganesan), but he is forced to marry a rich man's daughter Prathiba (Tambaram Lalitha).
Comments
Have you watched 3/60: Trees in Autumn yet? What did you think about it?
