This subversive period film features a hotheaded young samurai, Kurodo, who threatens to commit harakiri in response to the humiliation meted out to his family by the Shogun. The film critiques the inhumanity of feudal obligations, and Uchida’s direction slyly satirizes the contemporary cinematic audience, whose taste for onscreen bloodshed is mirrored in a crowd gathering to watch the protagonist’s planned suicide. The Master Spearman is imbued with Uchida’s characteristic blend of dark humor and stylized action, and Ryutaro Otomo gives an admirable performance in the lead.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
A young executive hunts down his father’s killer. Continuing his legendary collaboration with actor Toshiro Mifune, Kurosawa combines elements of Hamlet and American film noir to chilling effect in exposing the corrupt boardrooms of postwar corporate Japan.
Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, Momo and Ernest.
In Frankfurt, the G.I. Tulsa McLean (Elvis Presley) bets all the money his friends Cookie (Robert Ivers) and Rick (James Douglas) and he are saving to buy a night-club of their own in USA that his mate Dynamite will seduce and spend a night with the untouchable cabaret dancer Lili (Juliet Prowse).