This film has never been in distribution, and it’s arguably not a true Brakhage film, as it was made as a commission for a 1961 public television program on KRMA-TV in Boulder (but aired nationally), called Self Encounter: A Study in Existentialism, created and hosted by Hazel Barnes, an acclaimed scholar on the subject. This film was featured in an episode entitled “To Leap or Not to Leap”, originally broadcast on April 19, 1961.
I’ve included Sartre’s Nausea in the main body of the filmography because despite its origin as a commissioned work to be incorporated into a show on existentialism, and even having no main title or credit on the film, Brakhage came back to this piece a few years later and used it to produce his 1965 film Black Vision. Black Vision was made by Brakhage from the print he had struck of Sartre’s Nausea, re-editing it and embellishing it with ink and scratching.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing.
Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade.
African-American Philadelphia police detective Virgil Tibbs is arrested on suspicion of murder by Bill Gillespie, the racist police chief of tiny Sparta, Mississippi.
Two young women, frustrated by war rationing, have a dream illustrating the likely results on prices in America should the measure were prematurely lifted.
Sultan and Mehmet are a newly married couple. They have dreams. They will take their friend Garip with them, move to Bozdag, buy a field, and have children.
After years of drifting around, Willi Palko arrives in the lignite mining area. He was not only looking for a new job, but also wanted to finally settle down here.
