01 January 1965 Animated 13 mins
Short experimental animation film from 1966 from pioneer Kuri Yoji. A series of shorts pointing out the various ways that people meet their death through their own stupidity. The original monochrome version.
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Japan 01 January 1965
These some of the most viewed trailers for movies released in 1965:
17 November 1965
In this off-beat musical – a satire that combines fantasy, social observation and songs – a working class man goes to put a deposit on a new house only to find he prefers spending to saving and is happy to spend his money on a few hours of happiness rather than a lifetime's conventionality.
29 January 1965
A Huangmei opera produced by Shaw Brothers about a carp spirit who transforms into an identical copy of a beautiful woman to win the heart of a lonely male scholar.
01 January 1965
"A comic promotional mock documentary about a boy and his uncle who visit the Silverstone Racetrack during filming of the James Bond movie Thunderball (1965).
14 February 1965
A story about Nanding, a bounty hunter out to get a wanted man, Ramon who took refuge in his hometown of Tierra Verde.
18 November 1965
A young man hatches a plan to sleep with another man's infertile wife. Based on the play by Machiavelli.
22 December 1965
When a boy discovers that both his parents are in prison, he sets out to find them.
02 September 1965
Germany in May 1945: the war is over, men are returning home and a new life begins in the villages. After 12 years in a concentration camp, the "Red Shoemaker" also returns to his home village.
01 January 1965
Indian film starring Jaishankar, Manorama and Muthuraman
26 February 1965
The film deals with the problem of choosing a partner for 16 to 20-year-olds. Third part of the "Relationships Between Boys And Girls" series.
23 July 1965
Jacob's home movie portrait of Alfred Leslie and his family intercut with fragments of a Mickey Mouse cartoon.
28 November 1965
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second.
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