Ayhan is orphaned at a young age. With the help of Hulusi Pasha, for whom his father worked as a servant, he continues his education. After completing his education and becoming an engineer, Ayhan wants to marry Selma, who grew up with him. Meanwhile, Selim becomes engaged to Filiz, the Pasha's daughter, in order to take advantage of her wealth. Some time later, Hulusi Pasha reveals to Ayhan and Selim that he has gone bankrupt. Upon hearing this, Selim breaks off the engagement, but Filiz is already pregnant. Upon learning of the situation, Hulusi Pasha suffers a heart attack and seeks to use Ayhan to save himself from this predicament.
One day, Murat, a firefighter from Kadırga, goes to put out a fire at a mansion. Hilmi Pasha's daughter, Müjgân, sees Murat and falls in love with him.
With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.
The film is the story of girl Cveta who was abducted by the Ottoman bey and taken away in his harem. Bey is trying to embrace Islam, but its persistence, and its neighbors led beloved Spasa, and beloved local priest, assisted by diplomats of the great powers manage to free themselves.
This is the story of a young man who rebels against the Agha class in the east side of Turkey. The story ends with the death of the young man, who remains in the little girl he left an orphan and the young widow who is passionately in love with him.
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second.
Post-adolescent romance; the dude and the chick both tried to impress each other by pretending to come from rich families, and eventually they'll both have to fess up.
Germany in May 1945: the war is over, men are returning home and a new life begins in the villages. After 12 years in a concentration camp, the "Red Shoemaker" also returns to his home village.
CBS bit on Piero Heliczer shooting his film 'Venus in Furs' (they mistakenly call it 'Dirt'). Released by Boo-Hooray as part of their exhibit on Heliczer and The Dead Language Press.
The BBC's 1965 adaptation of E.M. Forster's novel, screened as part of their Play of the Month strand, adapted by Santha Ramu Rau and John Maynard, and directed by Waris Hussein.
