A lampoon against the absurdity of war and those who make it. The denunciation takes place with laughter and gags but not without forgetting the seriousness of the subject.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
A wild, freewheeling spoof on motorcycle gangs in which tough-looking cyclists, who roam the highways on invisible bikes leaving visible tire tracks, pick up a girl hitchhiker encounter another gang.