The Inglewood Police Department's 1960s video, "LSD: Trip or Trap?" is a classic of the genre. Alex sez, "It's a story of two friends who enjoy flying model planes, except that one becomes an 'acidhead' so he can be 'groovy' with the other acidheads. The other does research into LSD and decides it's a 'bummer'."
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race.
From the banks of the Bahamas to the seas of Argentina, we go underwater to meet dolphins. Two scientists who study dolphin communication and behaviour lead us on encounters in the wild.
In the early 1960s, teenager Adam Stafford (Cameron Bright) becomes obsessed with his new neighbor, Catherine Caswell (Gretchen Mol), a divorcée and free spirit.
Explore the extraordinary hidden world of insects, where a leaf weighs more than a car, rain drops feel like exploding hand grenades and a blade of grass soars like a skyscraper.
During the summer of 1999, a group of teenagers, through interconnected narratives, live through their last day of high school and prepare for the future.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.
Alternative movies trailers for 'LSD': Trip or Trap!
More movie trailers, teasers, and clips from 'LSD': Trip or Trap!:
Something Weird LSD Trip Or Trap
From: MINDBENDERS VOL 01 High schoolers' interest in model planes wanes as they're turned on to the drug in LSD: Trip or Trap? Peer pressure is tough to ...
Popular movie trailers from 1967
These some of the most viewed trailers for movies released in 1967:
Sir James Bond is called back out of retirement to stop SMERSH. In order to trick SMERSH, James thinks up the ultimate plan - that every agent will be named 'James Bond'.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
