First the atomic war broke out, new machines were made, dead birds appeared. In 1999, a bacteriological warfare began, there were sandstorms and giant locust infestations; the human tissue was transformed and a new being, once legendary, now real, emerged: the vampire. Only Robert Neville, the last man on Earth, remains unpolluted, living in constant struggle with the new inhabitants of the planet.
Three detectives in the corrupt and brutal L.A. police force of the 1950s use differing methods to uncover a conspiracy behind the shotgun slayings of the patrons at an all-night diner.
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race.
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead -- or so they think.
Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.
Led by a strange dream, scientist Aki Ross struggles to collect the eight spirits in the hope of creating a force powerful enough to protect the planet.
A spoiled teenager spends the summer at the French Riviera with her rich, widower, playboy father, but when his old flame resurfaces, she resolves to keep her frivolous lifestyle at all costs.
The Hostage is a 1967 Crown International low-budget motion picture starring Don O'Kelly, James Almanzar and Joanne Brown, with Leland Brown, John Carradine, and Harry Dean Stanton.
A jewel thief crosses paths with a woman carrying a briefcase that the Americans, the Russians and the Chinese all want desperately, so he goes on the run with her figuring that what's inside the case has to be way more valuable than anything he could steal on his own.
A wild, freewheeling spoof on motorcycle gangs in which tough-looking cyclists, who roam the highways on invisible bikes leaving visible tire tracks, pick up a girl hitchhiker encounter another gang.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
