A concise blast of feminist film making, Sander's first film is a tense yet playful four minute short that dissects a typical urban scene at a bus stop on a busy street in Berlin.
Watch the official Subjectivity 1967 trailer in HD below or find more Subjectivity videos on Vidimovie.
Helke Sander Screenplay
Helke Sander Editor
Holger Meins Sound Director
Skip Norman Camera Operator
Germany 01 January 1967
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More movie trailers, teasers, and clips from Subjectivity:
A concise blast of feminist film making Sander's first film is a tense yet playful four minute short that dissects a typical urban scene at a bus stop on a busy street ...
Cortometraje Helke Sander*** Gracias a Morgan por los subtítulos en español! de la Universidad Pública (UNLP) universidad nacional de la plata Argentina.
Ein Klassiker des deutschen Avantgardefilms: Helke Sanders erster Film die vierminütige SUBJEKTETÜDE. "Zwei Männer sind an einer Bushaltestelle mit ...
These some of the most viewed trailers for movies released in 1967:
01 January 1967
Don Juan, a rich man with a reputation as a seducer, has reserved half of the rooms in a hotel on the beach.
31 October 1967
American and British tourists get caught up in political unrest in Haiti.
13 August 1967
Two POWs learn of a treasure of gold hidden in a cemetery, and escape from their POW camp to look for it.
09 March 1967
Lady Lorraine Lister, a financer of expensive experiments, has discovered a way to obtain pure diamonds by the means of a radiation device.
01 January 1967
Blackmail and fraud in the milieu of a fashion house serve as a hook for partner-swapping and sex games.
27 March 1967
A poor dandy embezzled large sums of money and buys the title Marquis De Sade to impress the upper class.
23 October 1967
The Hostage is a 1967 Crown International low-budget motion picture starring Don O'Kelly, James Almanzar and Joanne Brown, with Leland Brown, John Carradine, and Harry Dean Stanton.
30 April 1967
A sociopathic stranger all but destroys a small hardscrabble town but the 'mayor' convinces its survivors to stay and rebuild.
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Artwork, screen shots, trailers and other imagery is © 1967 Deutsche Film- und Fernsehakademie Berlin (DFFB).
