How manipulable are people? Mr. O. considers himself to be uninfluenceable. His daily routine with the corresponding decision-making situations and behaviors gives two commentators cause to take different positions on human dependence on external influences: While one wants to declare Mr. O. a will-less object of advertising, for example, the other believes his freedom is never at risk.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
A visually artistic animation with no real story. It follows a pair of butterflies as they drift past various beautiful depictions of people and animals.
Sometimes the most beautiful men harbor the ugliest secrets. Two guys are naked in bed, having sex. One man gets up, uses the bathroom, gets dressed, says, "Goodbye, see ya 'round," and leaves.
Popular movie trailers from 1967
These some of the most viewed trailers for movies released in 1967:
Sir James Bond is called back out of retirement to stop SMERSH. In order to trick SMERSH, James thinks up the ultimate plan - that every agent will be named 'James Bond'.
"Desire Caught by the Tail" - Described as surrealistic, absurd, and weird. The narrative is nonlinear and the meaning nearly impossible to decipher, the work has been praised despite, and sometimes for, its lack of message.
Following the well-received previous film “Confrontation”, Asahi returns as the wandering drifter Manshū Tsuné, who joins forces with the righteous man Hideki.
