A young student (Alekos Alexandrakis) comes from Italy and presents to his sister (Katerina Gioulaki) the fiancée (Maro Kondou) as Italian, because the first insisted not to marry a Greek. The couple, however, in cooperation with the afflicted spouse (Giannis Vogiatzis) strict sister, managed to change the opinion.
A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do.
After moving to a small town, Zach Cooper finds a silver lining when he meets next door neighbor Hannah, the daughter of bestselling Goosebumps series author R.
In Prohibition-era Chicago, musicians Joe and Jerry witness a mob hit, and flee the state in an all-female band disguised as Josephine and Daphne, but further complications set in.
A group of maverick scientists on a remote Australian sheep farm are the globe's only hope for obtaining the epic images of man's first steps on the moon.
Arthur Simon Simpson is a small-time crook biding his time in Greece. One of his potential victims turns out to be a gentleman thief planning to steal the emerald-encrusted dagger of the Mehmed II from Istanbul's Topkapi Museum.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
Five criminals are arrested after a bank-robbery. One escapes, and the police officer in charge of transporting them arrests a new person at random to cover up for his negligence.
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.
