Created for a show at the Museum of Contemporary Crafts in New York, later to become the American Craft Museum, and now the Museum of Arts and Design, CHEMICAL ARCHITECTURE documents the creation of an exhibit structure created by Yale architecture students for a show entitled “Plastic as Plastic” that surveyed furniture, industrial design, kitchenware, clothes, jewelry, and more.
An online 'livecaster' with a dangerous brand has a crisis of conscience over her volatile career choice in a future world where jobs are limited and conflict is currency.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
Fantasy drama Rachel's Dream was set sometime in the future when the world is besieged by technology, young Rachel discovers that through a large bank of video screens in her sister's apartment, her wishes can come true when she brings to life the image on an anti-pollution poster.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
When elite-level chef Eloise Vaughn receives a scathing review from famed critic Alistair Brown, she invites him back for a private dinner service aimed at redeeming her name.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.
A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
Documentary by Juan Francisco de Lasa about a pioneer of Spanish cinema. Gelabert attended one of the first sessions of the Lumière's cinématographe in Barcelona.
