Noted lecturer, Eugene M. Wank, instructs us using a folding chair as a metaphor for life's choices. In this theatre event he shows the audience how to turn their chairs so that instead of facing front, facing the screen, they change to face each other across an aisle in which the innocent, funky ballet will be performed.
Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.
A group of Northern vigilantes, roaming the post Civil War south, attack and kill the fiancee of war veteran Brian, who is rescued by his friend, Daniel.
Anthony Steffen, as a young gunman who works as a circus performer, witnesses the killing of some outlaws, carried out by their leader and is credited with the deed.
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