When British philosopher Harold Hilliard took off for Warsaw to lecture on the Dysteleological Surd, he had no idea that he would soon become embroiled in international espionage. During the trip he tried to open a suitcase he mistook for his own. When a fellow passenger, a Pole with stainless steel teeth, took umbrage, Hilliard put it down to bad manners, but when the same man saw him pick up the wrong coat in the plane, Hilliard realized that he was suspected of spying. The party at the airport to welcome Hilliard only convinced the Polish agent that the British Secret Service was now picking its men with extraordinary cleverness. Hilliard, whose works were little known in England, was warmed by unaccustomed praise but chilled by the apparent certainty of the counter espionage people that he was a British agent whose code name was Whale.
Albert, a cheeky, womanising, door-to door salesman, with a never-take-no-for-an-answer attitude, lives his life for the moment, and with no thought of his future, or the consequences of his actions on the people he encounters.
Reprising his role from the popular TV series "Koya no Suronin" (The Lowly Ronin), Mifune Toshiro stars in this full-length, stand-alone made for TV movie.
An innocent college couple unknowingly become involved in their Professor's illicit research into the manipulation of love and his recreation of the elusive "Cupid's Arrow".
The D'Souza and the Chaddha families are neighbors and have been good friends for as long as they can remember, and despite their diverse religion and cultural beliefs, celebrate Diwali and.
Reprising his role from the popular TV series "Koya no Suronin" (The Lowly Ronin), Mifune Toshiro stars in this full-length, stand-alone made for TV movie.
Umbra is a scientist who wants to prove his theory that human beings are ruled by chance and devoid of any purpose, and as a consequence some become evil and cruel.
Popular movie trailers from 1968
These some of the most viewed trailers for movies released in 1968:
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.
Forced behind British lines by engine problems, the Red Baron camouflages his plane, swaps uniforms with a dead soldier, and, posing as a Belgian, makes his way to a hospital.
A group of Northern vigilantes, roaming the post Civil War south, attack and kill the fiancee of war veteran Brian, who is rescued by his friend, Daniel.
Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.
