"From Sweden... the classic female concept."13 April 1968Drama81 mins
Inga, a 17 year-old, is sent to live with a scheming aunt who wants her to become mistress of her rich neighbour. She falls for a common young man instead.
While out to avoid spending time with her narcissistic and promiscuous mother, sixteen-year-old Jo has a brief affair that leaves her pregnant and abandoned.
Thrown together under incredible circumstances, two strangers must discover courage and strength when they begin a journey across the treacherous African desert! Equipped only with their wits and the expertise of a native bushman who befriends them, they are determined to triumph over impossible odds and reach their destination.
Brooklyn teenager Jeffrey Willis, thoroughly unhappy with his modest homestead, embraces the other-world aspects of his summer job at the posh Flamingo Club.
Sensitive rural town model student Steven Carter hides his gay feelings, except with his neighbor and best friend Linda.
Alternative movies trailers for Inga
More movie trailers, teasers, and clips from Inga:
INGA (1968) - Trailer
Joe Sarno Retrospect Series A beautiful and naïve young woman becomes a pawn in a game of sexual manipulation and deceit after moving into her aunt's ...
The Seduction of Inga (1968) - Trailer
Någon att älska (1968) Inga and Greta Ich - seine Geliebte Inga la séductrice au corps de velours
Cannon Films Countdown #1 - Inga (1968) - Ft. The Loose Cannons
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Inga trailer (Cannon Films)
Inga full hd movie trailer.
The Seduction of Inga: Trailer
Back in the day Marie Liljedahl was one HOT little Euro-vixen. I'm talking the late 1960s/early '70s here. The Swedish sex starlet (born 1950) appeared in just a ...
INGA (1968) - Music by Ennio Morricone (cover by Orgasmo Sonore)
MOVIE: Inga (Jag - En Oskuld) 1968 - Director: Joseph W. Sarno - With Marie Liljedahl. MUSIC: Ennio Morricone "Matto Caldo Soldi Morto Girotondo" From ...
Popular movie trailers from 1968
These some of the most viewed trailers for movies released in 1968:
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Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.