01 January 1968 Factual 14 mins
Made in 1968, this is the only film by the writer, artist, poet, art critic Alain Jouffroy. This film constitutes a full scale attack against cult of art and its specialization, but also against authority figures and nation.
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Alain Jouffroy as Self
Alain Jouffroy Director
France 01 January 1968
These some of the most viewed trailers for movies released in 1968:
12 January 1968
Walter Bergman is a boring old travel agent. One day while away on a business trip, he starts hanging out with a group of young swingers.
01 January 1968
Judge Chandrasekharam is very kind and helpful to the relatives of the culprits. His wife dies after giving birth to a baby boy.
02 December 1968
A Southern soldier in the American Civil War is sent to reconnoiter the enemy positions and becomes trapped beneath a huge pile of rubble by Northern cannon fire.
01 January 1968
The Three Kingdoms period begins as the walled fortress of Hsin Yang falls to invaders. Centered around this historical event, The Last Days of Hsin Yang follows the escape of the prince of Hsin Yang as he hides with a small family and escapes from the sacked and burning city.
01 January 1968
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
02 April 1968
A group of Northern vigilantes, roaming the post Civil War south, attack and kill the fiancee of war veteran Brian, who is rescued by his friend, Daniel.
20 September 1968
Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.
02 April 1968
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
13 March 1968
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
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Artwork, screen shots, trailers and other imagery is © 1968 Centre Georges Pompidou.
