Philosophical grotesque. During an anatomy lesson, a butterfly sits on the page of a butterfly atlas and is immediately "classified" on its pages by the teacher. The teacher begins to cover the graphic lines and turns into a drawing in the anatomy atlas.
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Wiesław Michnikowski as Nauczyciel
Wojciech Marczewski Screenplay
Poland 01 January 1968
These some of the most viewed trailers for movies released in 1968:
07 February 1968
Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport.
01 January 1968
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
10 November 1968
Two-part TV movie about the inadequate production methods of a chemical plant, which come to light due to an accident and lead to numerous complaints.
05 September 1968
A quirky family lives their simple but joyful life which centers around the youngest family member, a little boy.
01 January 1968
Documentary by Juan Francisco de Lasa about a pioneer of Spanish cinema. Gelabert attended one of the first sessions of the Lumière's cinématographe in Barcelona.
02 December 1968
A Southern soldier in the American Civil War is sent to reconnoiter the enemy positions and becomes trapped beneath a huge pile of rubble by Northern cannon fire.
12 June 1968
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
20 September 1968
Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.
13 September 1968
A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers.
13 March 1968
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
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Artwork, screen shots, trailers and other imagery is © 1968 Se-Ma-For.
