Lauri Blaine, a beautiful young girl in New York City's Greenwich Village gets mixed up with hippies, drug dealers, Eurotrash models and Mafia assassins when her boyfriend upsets a Mafia hood by giving away free marijuana, cutting into the gangster's drug sales.
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Amin Q. Chaudhri Cinematography
Rolf Emyl Director
Nils Emyl Writer
Ginnie L. Music Editor
Henrik Emyl Producer
The Businessman's Lunch Trailer
Belgium 01 January 1972
United States 15 October 1968
These some of the most viewed trailers for movies released in 1968:
13 March 1968
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
26 September 1968
While guiding a hunting party of clueless European aristocrats, cowboy Bosky Fulton leads them into hostile Apache territory.
01 January 1968
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
05 September 1968
A quirky family lives their simple but joyful life which centers around the youngest family member, a little boy.
01 January 1968
A BAFTA award winning documentary looking at bilharzia - a disease that affects some 200 million people worldwide.
01 January 1968
Puthisaligal is directed by T.P. Arjun. Puthisaligal stars Jaishankar in the title role along with Ramachandran T.
12 June 1968
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
29 January 1968
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.
01 January 1968
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
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Artwork, screen shots, trailers and other imagery is © 1968 Camelot Pictures.
