"The flowers revolution" 03 September 1968 Drama, Comedy, Romance 100 mins
New Love is a non-linear film that consist in succession of sequences showing the world of young people of the late sixties.Deeply focused on the hippie culture in Chile.
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Sergio Trabucco Assistant Director
Andrés Martorell De Llanza Director of Photography
Álvaro J. Covacevich Screenplay
Álvaro J. Covacevich Director
Chile 03 September 1968
These some of the most viewed trailers for movies released in 1968:
26 September 1968
While guiding a hunting party of clueless European aristocrats, cowboy Bosky Fulton leads them into hostile Apache territory.
15 August 1968
Vellaiya is falsely accused of murder. On the other hand, Rani, a rich girl, struggles after the sudden demise of her father.
17 January 1968
Fadime and Memiş, who are in love with each other, are children of enemy families. Their families oppose this relationship.
20 August 1968
A picture of the development of the city of Glasgow, Scotland, as seen through the photography of Scots-Italian photographer Oscar Marzaroli.
07 June 1968
The film follows the exploits of a small gang of jewel thieves who employ a little person as their ultimate tool.
07 February 1968
Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport.
01 January 1968
Documentary by Juan Francisco de Lasa about a pioneer of Spanish cinema. Gelabert attended one of the first sessions of the Lumière's cinématographe in Barcelona.
04 October 1968
A ragtag group barricade themselves in an old Pennsylvania farmhouse to remain safe from a horde of flesh-eating ghouls ravaging the Northeast.
24 November 1968
The historical background to the story is the transfer of 269 executed women to the Berlin Anatomy Department in the years 1939-1945.
13 March 1968
Adaptation of a short story by Michał Lermontow. Forces stationed in the Caucasus. Lieutenant Wulicz is a fatalist.
13 March 1968
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
29 January 1968
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.
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Artwork, screen shots, trailers and other imagery is © 1968 Sud Americana Films.
