This documentary rescues the valuable work of Martha Colmenares, an indigenous woman from the Zapotec highlands, who in the 1980s filmed the life and customs of her own community, becoming a pioneer of indigenous documentaries.
Luis Miguel, a 30-35 year old man, unemployed, lonely and with a boring life. He realizes that his Wednesdays are disappearing, or worse, someone is stealing them, and oddly enough there is an association behind all this trafficking in his days.
Wild is the story of an overzealous hunter and his explosive frolick through the peaceful woods. It quickly becomes apparent, though, that he has no idea what he is missing.
A man in drag sits on a couch holding a fan. The wallpaper behind him is floral patterned. Although the man does little more than looking around and waving his fan, Zwartjes created enormous tension.
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.