A short pamphlet based on a text by Peter Weiss and on the contrapuntal use of the relation between image and sound. The commercial activities and fantasies linked to tourism in Sweden are contradicted by the geopolitics of capitalist imperialism, in particular with the war in Vietnam.
A group of Northern vigilantes, roaming the post Civil War south, attack and kill the fiancee of war veteran Brian, who is rescued by his friend, Daniel.
Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
Forced behind British lines by engine problems, the Red Baron camouflages his plane, swaps uniforms with a dead soldier, and, posing as a Belgian, makes his way to a hospital.