As they tour Sweden in a theatrical production of "Lysistrata", performing to often uncomprehending audiences, three women find their own lives and marriages mirrored in Aristophanes’s play. Soon, onstage drama, offstage reality, and surrealist fantasies begin to collide.
Delinquent Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with up-and-coming dancer Nora.
Bridget Jones is still dating her new love, barrister Mark Darcy, for a perfect six weeks. However, while on assignment in Thailand with her disreputable ex, Daniel Cleaver, claiming to be reformed, Bridget questions if she has everything she's ever dreamed of having.
Thinking he can overshadow an unknown actress in the part, an egocentric actor unknowingly gets a witch cast in an upcoming television remake of the classic show "Bewitched".
The radical true story behind three teenage surfers from Venice Beach, California, who took skateboarding to the extreme and changed the world of sports forever.
Tilo is an Indian shopkeeper in America with an ability to see the future and a magical connection to powerful spices, which she uses to help her customers satisfy their various needs and desires.
After twelve years in prison, Walter returns home. His family has abandoned him, save for his brother-in-law.
Alternative movies trailers for The Girls
More movie trailers, teasers, and clips from The Girls:
Watch the new trailer for The Girls(1968) - Revolt She Said
Watch the new trailer for Mai Zetterling's riotous feature The Girls (1968) playing across the UK as part of Revolt She Said. Revolt She Said: Women and Film ...
Popular movie trailers from 1968
These some of the most viewed trailers for movies released in 1968:
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch.