19 October 1968 81 mins
A portrait of a man trying to become an artist in order to escape from his life as a miserable peasant due to severe annual tribute during the reign of the fifth Tokugawa Shogun Tsunayoshi.
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Motomu Ida Director
Gan Yamazaki Writer
Seizaburo Ishida Lighting Director
Tomoya Kadoguchi Director of Photography
Hi-chō onna: ukiyo-zōshi Trailer
Hichō onna: ukiyozōshi Trailer
Ukiyo-e Artist Trailer
Ukiyoe Artist Trailer
Japan 19 October 1968
These some of the most viewed trailers for movies released in 1968:
01 May 1968
Sam Moran is a Honolulu charter-boat captain who leads fishing expeditions in the tropical paradise. When his daughter is found murdered at the party of a wealthy young playboy, he seeks the truth about the murder.
05 September 1968
A quirky family lives their simple but joyful life which centers around the youngest family member, a little boy.
01 January 1968
The Three Kingdoms period begins as the walled fortress of Hsin Yang falls to invaders. Centered around this historical event, The Last Days of Hsin Yang follows the escape of the prince of Hsin Yang as he hides with a small family and escapes from the sacked and burning city.
01 January 1968
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
10 November 1968
Two-part TV movie about the inadequate production methods of a chemical plant, which come to light due to an accident and lead to numerous complaints.
24 November 1968
The historical background to the story is the transfer of 269 executed women to the Berlin Anatomy Department in the years 1939-1945.
03 December 1968
Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family.
01 January 1968
Puthisaligal is directed by T.P. Arjun. Puthisaligal stars Jaishankar in the title role along with Ramachandran T.
01 January 1968
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
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Artwork, screen shots, trailers and other imagery is © 1968 Aoyama Production.
