Kurt Kren filmed pieces of feature films in the cinema without looking through the viewfinder. The missing sexual climax from the cinema was added by Kren in the form of insights and views from Otto Muehl's Libi Aktion.
A veteran sea captain abducts his niece for what he believes is his last chance at love. As the sad demon of the ocean Klabautermanden watches the passing of doomed ships, the niece awakens in her uncle's cabin.
A student, tired of a too well-mannered fiancé, loses a virginity she considers very embarrassing in the arms of a forty-year-old man, before finding love with a repentant gigolo.
The landscape surveyed here might be the estranged interior of your typical East-European émigré animator’s skull; with its deranged narrative values, artfully disturbed graphic style, and aggressive "musique concrète" sonorities, Kamler's are among the most astounding works you'll ever see.
A gang of kids helps a sea captain search for a pirate’s treasure that’s rumored to be hidden somewhere in the old dilapidated inn the sea captain just inherited from his dead brother.
While happily engaged to Rosalia, Tony has the misfortune of falling for a vibrant pilot named Valeria — and that’s just the beginning of his problems.
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Have you watched 22/69 Happy-End yet? What did you think about it?