Dream Houses is a 8mm color stop-motion animation that reflects the artist's engagement with the idealism and hope that modernism brought for the Indian middle class and the poor in the Nehruvian sixties. It has also been used in Utopia, Malani's first multiple-screen installation, wherein this film is projected adjacent to the film Utopia, shot after the artist moved to a basic apartment building in a suburb of Bombay. This format allowed her to juxtapose the idealism of the sixties with the later dystopia of urbanism in the seventies.
Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.
A balladic story based on the motifs of M. Urban's short story, in which the arduous work of loggers and the harshness of the environment interlace with the poetry of the Slovak mountains.
The landscape surveyed here might be the estranged interior of your typical East-European émigré animator’s skull; with its deranged narrative values, artfully disturbed graphic style, and aggressive "musique concrète" sonorities, Kamler's are among the most astounding works you'll ever see.
When Korea Highway Corporation is about to destroy the grave of O Gong-nyeo, the locals oppose the idea because they are worried of the legend of the grave.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
Paris 1900. Sharing a house in the Bohemian District are Roberto, a fledgling Musician, who is composing an Opera with his friend the poet Victor Duval; and the beautiful Cossette, daughter of a retired tenor, who goes up and down the stairs, taking advantage of Roberto's music to train her voice.
