After the experience with 'Será tu tierra,' Soler becomes aware of this cruel reality, until then unknown; Soler makes this documentary on his own initiative and with complete freedom. The film analyzes and quantifies, using extensive data, the social and economic consequences of internal migration during the 1960s, especially in Barcelona and its metropolitan area, focusing on the problems that arise from a lack of housing, with people crammed together in old apartments without hygienic conditions; and the phenomenon of shantytowns.
The history of Europeans in North America, from the arrival of Columbus in 1492 to the business success of German immigrants such as Heinz, Strauss or Friedrich Trumpf, Donald Trump's grandfather.
"The film is a travelogue of sorts. In 1960 my family lived in Brazil when my father discovered his sister and brother in Moscow, who he hadn't seen for 40 years, were still alive.
I followed the everyday lives of Ali, Kais, Ertan and Alban with my camera for over two years. The time was characterized by disappointments, conflicts and also great successes.
To discover the truth behind the mysterious objects her uncle brought back from the Far East during her childhood, filmmaker Francesca Lixi embarks on a journey to those places through archival footage.
Paris 1900. Sharing a house in the Bohemian District are Roberto, a fledgling Musician, who is composing an Opera with his friend the poet Victor Duval; and the beautiful Cossette, daughter of a retired tenor, who goes up and down the stairs, taking advantage of Roberto's music to train her voice.
The drama revolves around the novelist Sami Al-Bagouri (Fuad Al-Mohandes), whose wife Mahasen (Zahra Al-Ola) is jealous of him so much that she is jealous of his deceased wife (Fekriya).
When Korea Highway Corporation is about to destroy the grave of O Gong-nyeo, the locals oppose the idea because they are worried of the legend of the grave.
Dr. Roth, a respected veterinarian and head of a state-owned stud farm, had accepted papers from a man for safekeeping when he was 16 years old, toward the end of the war.
The landscape surveyed here might be the estranged interior of your typical East-European émigré animator’s skull; with its deranged narrative values, artfully disturbed graphic style, and aggressive "musique concrète" sonorities, Kamler's are among the most astounding works you'll ever see.