A film by an early British pioneer of computer generated filmmaking, Now foregrounds colour discs and other circular shapes, featuring both abstract and photographic imagery. Denys Irving was a musician – also known as Lucifer – and a member of London’s alternative scene in the late 1960s, early 1970s who collaborated with bands such as The Pink Floyd and Soft Machine and underground publications including the International Times and Oz magazine. It was during his time as a student in Columbia University in New York that he started working with computers. He also pioneered projection systems for psychedelic effects.
Paris 1900. Sharing a house in the Bohemian District are Roberto, a fledgling Musician, who is composing an Opera with his friend the poet Victor Duval; and the beautiful Cossette, daughter of a retired tenor, who goes up and down the stairs, taking advantage of Roberto's music to train her voice.
A pretty young anti-marijuana activist is kidnapped by a drug ring, which is determined to teach her a lesson by degrading and violating her in every way possible.
A gang of kids helps a sea captain search for a pirate’s treasure that’s rumored to be hidden somewhere in the old dilapidated inn the sea captain just inherited from his dead brother.
A student, tired of a too well-mannered fiancé, loses a virginity she considers very embarrassing in the arms of a forty-year-old man, before finding love with a repentant gigolo.
A veteran sea captain abducts his niece for what he believes is his last chance at love. As the sad demon of the ocean Klabautermanden watches the passing of doomed ships, the niece awakens in her uncle's cabin.
In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones.
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