"This film was part of my thesis presentation at Chelsea College of Art in 1969. It expresses my interest in the human form and how two human forms can come together in various ways. My morphology teacher was also a dancer and he is the one in black moving with the white me in the cube. The film also includes photos I took, a number with multiple exposures, and drawings I did from the photos and from the work of Eadweard Muybridge, whose studies in motion inspired me." - Penny Slinger
Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium.
A student, tired of a too well-mannered fiancé, loses a virginity she considers very embarrassing in the arms of a forty-year-old man, before finding love with a repentant gigolo.
While happily engaged to Rosalia, Tony has the misfortune of falling for a vibrant pilot named Valeria — and that’s just the beginning of his problems.
A farmer receives land from the king and discovers a buried golden mortar. He decides to give it to the king out of gratitude, but his clever daughter warns him that the king will surely want him to bring a corresponding pestle as well.
