Vibration TrailerThe Other Side of the Underneath TrailerStairs, Tunnels and Mirrors Trailer
Penny Slinger is a British artist who has worked in different mediums, including photography, film and sculpture. Described as feminist surrealism, her work explores the nature of the self, the feminine and the erotic.
Total trailers found: 9
11 July 1969
"From the 1969 exhibition, Bride in the Bath is shown in its sculptural form – a life cast of a model's body lying back in a bath and draped in black silk coated in resin.
25 August 1969
"This film was presented as part of my 1969 thesis on Max Ernst. It was a personal tribute where I filmed his collages, then intercut live footage I shot with other reference material into a surreal visual collage.
18 June 1969
"A film featuring my work as shown in my 1969 diploma exhibit at Chelsea College of Art. It explores my Mummy Case, then the series of works that are based on a model’s image reflected in a series of mirrors.
01 August 1969
"1969 period. In the beginning of this experimental film a figure in white ascends spiral staircases and escalators and moves away from the camera down endless tunnels and corridors.
20 July 1969
"In this experimental film from 1969 the seeds are seen of my exploration of the mouth motif, which reached its full expression in the ‘Opening’ exhibit of 1973.
04 July 1969
In 1969, Penny Slinger and her then partner filmmaker Peter Whitehead were given permission to produce a body of work in Lilford Hall, a decaying mansion in Northamptonshire, England.
21 November 1972
A therapist looks into the mind of a woman diagnosed as schizophrenic and finds, not madness, but tortured sexual guilt created by the taboos of society.
01 January 1975
Uses two young western people as the mediators between the new gestalt initiated by Jung, Reich and Frederick Perles, and the magnetic chain of a Sufic master, finding that the East and the West, the scientific and the mystical, begin to hold together in a truly organic way.
06 June 1969
"This film was part of my thesis presentation at Chelsea College of Art in 1969. It expresses my interest in the human form and how two human forms can come together in various ways.
