The oldest surviving work by Hoshino. A short drama about three young men and one girl. Rather than remaining confined to the typical image of youth often found in student films, it is filled throughout with experimental attempts, revealing the early seeds of ideas that would later connect to Hoshino’s subsequent works. A playful and pop-infused piece that strongly evokes its era.
In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones.
A farmer receives land from the king and discovers a buried golden mortar. He decides to give it to the king out of gratitude, but his clever daughter warns him that the king will surely want him to bring a corresponding pestle as well.
A veteran sea captain abducts his niece for what he believes is his last chance at love. As the sad demon of the ocean Klabautermanden watches the passing of doomed ships, the niece awakens in her uncle's cabin.
A gang of kids helps a sea captain search for a pirate’s treasure that’s rumored to be hidden somewhere in the old dilapidated inn the sea captain just inherited from his dead brother.
A balladic story based on the motifs of M. Urban's short story, in which the arduous work of loggers and the harshness of the environment interlace with the poetry of the Slovak mountains.
When Korea Highway Corporation is about to destroy the grave of O Gong-nyeo, the locals oppose the idea because they are worried of the legend of the grave.
