The theme of the film is political assassination and it is presented with lightening-fast collage. The figures of Malcolm X, Martin Luther King, John and Robert Kennedy, and Lee Harvey Oswald flash by at great speed with animated images overlaid on these flashing figures. The sound track is a hodgepodge of speech excerpts, news broadcasts, and jarringly discordant music. Preserved by the Academy Film Archive in 2013.
CRICKET REQUIEM is a hand-painted and elaborately step-printed film which juxtaposes bent, sometimes saw-tooth, scratch shapes multiply colored in pastels on a white field juxtaposed with emerging, and sometimes retreating, bi-pack imagery of the faintest imaginable lines (solarized lines) etched in brown-black.
In Loving (1957), a couple make love in the sun and their optic system flares -- it's really the nervous system's ecstasy -- in oranges and yellows and whites.
The Scarecrow trades Jasper a handful of beans for his harmonica. Jasper plants the beans and climbs up the resulting beanstalk and, at the top, finds a beautiful girl in a golden cage playing a golden harp.
A toy soldier, distracted by a beautiful ice skater, is derelict in his duty and gets discharged. Later, when the screwball army declares war, he lucks into a chance to redeem himself.
Elaborate petal-like and multicolored flowers rising in white space until the whole field is as if crushed by floral designs in madly-swift mixtures of every conceivable previous shape from the Persian Series.
Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.
Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.
Henry Browne, an African American farmer, and his family are profiled in this film. The important job of a farmer during times of war is highlighted, specifically his efforts growing peanuts and cotton.
This hand-painted, step-printed film begins with several seconds of blank white (interrupted by red and brief electric yellow) and then proceeds to multiply flecked earth and rock shapes and root-like forms which seem to suck horizontally inward and upward midst phosphorescent greens and blues increasingly flecked with light-yellows giving way to tree-top branch likenesses taking oblique shape against a phosphor sky.
A farmer receives land from the king and discovers a buried golden mortar. He decides to give it to the king out of gratitude, but his clever daughter warns him that the king will surely want him to bring a corresponding pestle as well.
Chinna Durai(V. K. Ramaswamy) dislikes his brother-in-law, Kanagasabi(V. S. Raghavan) stands in the way of a marriage arrangement for his daughter Malathy(Vanisri) and Kanagasabi's son Ravi(Jaishankar).
Neena lives a poor lifestyle along with her parents. Her marriage is arranged with a wealthy male, but the marriage could not take place as her parents are unable to provide enough dowry.