"The night a bedroom gets too small for two... it's open house for prowlers!"01 March 1970Drama101 mins
Sharon is a seemingly contented suburban wife with a nice husband, house and family, until she discovers that her husband is cheating on her with the neighborhood nympho.
Working-class Angie, sacked from a recruitment agency for bad public behaviour, teams up with her flatmate to run a similar business from their kitchen.
Billy is a teenager and enthusiastic photo hobbyist who takes pictures of his mother carrying on with another man, but is too naive to realize his mother is engaging in more than innocent horseplay.
Toxic masculinity has come to a head and this story explores the consequences not just for women, but for men.
Alternative movies trailers for Love Me Like I Do
More movie trailers, teasers, and clips from Love Me Like I Do:
Love Me Like I Do - 1970
Sharon is a seemingly contented suburban wife with a nice husband house and family until she discovers that her husband is cheating on her with the ...
Elsa Singman : love me like I do (sex scene theme)
instrumental (boring sax until 1:40 then hammond takes over) "Love me like I do" was a 1970 sexploitation movie directed by Jean Van Hearn and starring ...
Popular movie trailers from 1970
These some of the most viewed trailers for movies released in 1970:
Rosana is an attractive teacher who is losing his youth with such discipline in the study. When suddenly bursts into his life a perfect cheeky who lives of game and odd jobs as photographer, but wants to acquire a little culture for personal reasons.
Yudi has just got out of jail but Bono and the gang force him to commit another crime. Unlike the others in the gang who spend their money for fun right away, Yudi saves his money in the bank.
Two sisters, Hanifah and Latifah/Ipah have different attitudes toward life in Jakarta. While Hanifah is content working as a teacher, Ipah, who works as a shopkeeper, is obsessed with living a high life.
A homage to nature and a plea for a careful approach to it. In one of his early films, Jon Jost shows impressions of a stream in the forest and a couple streaming through the forest: direct looks into the camera, cross-fades, multiple exposures, playing with sunlight, shadows and shapes.
The world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what's "right.