'I tried to make a kind of environment in the room where I lived in Kentish Town and to make a film within it. There were pieces of paper and screwed up, transparent gels hanging from the ceiling; it was quite dense in some parts. I wandered through it with a camera and then other parts were filmed on the rooftop at St Martins. I think I was just very much trying to find my way in a whole new area of work. I remember it involved a lot of refilming, which was the part I liked. The process was very fluid, similar to painting. I got quite interested in the specks of dust and dirt on the film and the re-filming gave me a chance to look at that more closely. Probably the thing that attracted me to film was the light ... the kind of floating quality you can get, images suspended in light.'
In the wake of a school tragedy, Vada, Mia and Quinton form a unique and dynamic bond as they navigate the never linear, often confusing journey to heal in a world that feels forever changed.
Moises, a single Filipino dad, comes home to celebrate his son's fourth birthday and learns that the Israeli government is going to deport the children of foreign workers.
After discovering they are all dating the same same guy, three popular students from different cliques band together for revenge, so they enlist the help of a new gal in town and conspire to break the jerk's heart, while destroying his reputation.
Waxing nostalgic about the bittersweet passage from childhood to puberty, four childhood girlfriends — Teeny, Chrissy, Samantha and Roberta — recall the magical summer of 1970.
After losing her job, making out with her soon-to-be former boss, and finding out that her daughter plans to spend Thanksgiving with her boyfriend, Claudia Larson faces spending the holiday with her unhinged family.
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast.
Film-Am Edgar falls in love with Vilma. The two had a set back that ended with Edgar returning all Vilma’s love letters that he regreted and wanted it back.
Follows contemporary American poet James Dickey on a three week lecture tour. Reveals the actual thoughts and feelings of the poet through his conversations and poetry readings.
The world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what's "right.
