Two disembodied male colleagues direct Lynda Benglis, who sits between a monitor and a camera lens loudly exclaiming her vision for the video we’re watching. Playing with the idea of originality and how the reproduction of images troubles fine art categories, Benglis affixes a double portrait of herself to the monitor screen and draws moustaches on both likenesses. Document ends with Benglis writing the video’s title and “copyright, Dec. 1972” directly on the monitor underneath the photograph, validating this video accomplishment as an original artwork.
"A family of Polish immigrants has a difficult time adjusting to life in the United States. The story centers on the son, named Janek, who has trouble fitting in at school and with his family.
“It’s not how it used to be.” The words of Cézar Néwashish resonate throughout this short documentary that explores the history of the Atikamekw community of Manawan, Quebec.
Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.
In a French seaside town, at a boarding house for civil servants recovering from surgery and maladies, the six male residents' lives change dramatically when two women arrive: Catherine, lively, sexually liberated, willing to kiss, dance, and sleep with the men, and Leonie, reserved, formal, conservative.
A dramatised documentary which explores ghetto life as seen and felt inside Harlem, based on experiences of the Northside Centre for Child Development.
This Spanish-Italian co-production tells the story of a man who feels deep guilt for the death of his wife: he, an alcoholic, is convinced that he accidentally caused her fatal fall in their house while he was drunk.
During the Japanese occupation of Shanghai, Chen Zhen, the star pupil of a recently-deceased martial arts teacher battles a Japanese dojo which seeks the demise of his fighting school.
