The Dreamer That Remains is a documentary produced by Betty Freeman and directed by Stephen Pouliot in 1972. Here is the director’s original cut along with his commentary. If you’ve never seen Partch or his instruments before, this is the place to start.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time.
Modified flashlights and stripped down video projectors explore the visual complexities of the ordinary world: a tunnel, a clump of grass, a discarded table, the underside of a bridge, fog, a piece of rock and a tree.
Ivan Ladislav hides a true chamber of wonders behind the clear, mathematically abstract structure of his films and videos, meticulously compiled rhythmically frame for frame, each work likewise presenting an analysis of the film medium.
Documentary tribute to what VH1 called “the single greatest rock omnibus program ever aired” and Brooklyn Vegan named “the most consistently weird and awesome thing on cable television in the ’80s.
Popular movie trailers from 1972
These some of the most viewed trailers for movies released in 1972:
Doc Saxon and his gang rob the Crown City bank but are double-crossed by Carrasco, a Mexican bandit, who steals the gold and leaves Doc and Donovan with nothing.
A guardian angel agrees to help Willie Mays win the National League Pennant if Mays agrees to take care of Veronica, a lonely, mischievous orphan girl.
The film by Brakhage commonly referred to as "Wecht" does indeed exist. It doesn't have a titlecard at the head, and the leader of the original is labeled "Portrait" in Stan's handwriting, so I'm not sure where the 'Wecht' title comes from.
In a French seaside town, at a boarding house for civil servants recovering from surgery and maladies, the six male residents' lives change dramatically when two women arrive: Catherine, lively, sexually liberated, willing to kiss, dance, and sleep with the men, and Leonie, reserved, formal, conservative.
