A museum heist with an unusual twist: the three thieves are all physically disabled. The men, one confined to a wheelchair, one with prosthetic hands, and one blind, plan to steal a valuable statue. The men use teamwork and ingenuity to beat the high-tech security and get in and out with the statue. However, their plan is not foolproof, as a museum guard recognizes their M.O. and pays them a visit.
Charlie Simms is a student at a private preparatory school who comes from a poor family. To earn the money for his flight home to Gresham, Oregon for Christmas, Charlie takes a job over Thanksgiving looking after retired U.
Corky, a tough female ex-convict working on an apartment renovation in a Chicago building, meets a couple living next door, Caesar, a paranoid mobster, and Violet, his seductive girlfriend, who is immediately attracted to her.
A novice con man teams up with an acknowledged master to avenge the murder of a mutual friend by pulling off the ultimate big con and swindling a fortune from a big-time mobster.
Marcia wakes up one day with the unnerving feeling that her husband has disappeared. She decides to take matters into her own hands to find out his whereabouts.
A scientist obsessed with creating life steals body parts to put together his "creation." Released as a feature on video, this was originally shown in two installments on TV as part of the Wide World of Entertainment series.
After escaping from prison, Joe and Terry go on a crime spree, robbing banks through Oregon and California in order to finance their scheme for a new life south of the border.
Five hapless inner-city low-lifes attempt to burgle a pawnbroker's safe, but end up being plagued by bad luck.
Alternative movies trailers for Beg, Borrow...or Steal
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Beg Borrow or Steal (1973)
ABC Movie of the Week! Three disabled men--one blind one with no legs and one with no hands--get together to pull off a museum robbery; starring Mike ...
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In this film the director's recurring concerns return: the divisions in the Chilean left, and its contradictions between what the director calls the "traditional" and the "revolutionary" left.
