I am preoccupied with shadows. The physical, material film is a machine for casting shadows. The experience of film is a mental journey among shadows. Light of the sun is obscured by branches and the leaves of trees, casting shadows on the variegated surfaces of the ground. Shadow shapes make soft images of branches and trees... Spaces between leaves become pinhole lenses, covering the ground with circles of confusion. (MM)
In 1913, in Oklahoma, oil derrick owner Lena Doyle, aided by her father and a hobo, is stubbornly drilling for oil despite the pressure from major oil companies to sell her land.
Sam and Buddy, two highway robbers, join with Colonel Quint, a big crook, who sold his services to Morgan, the banker, in order to free Baby, the banker's daughter, abducted by Espartero and his killers gang.
Shanta Dhamle lives a wealthy lifestyle in Bombay along with her dad, Shamrao, and mom, Ansuya. She incurs their displeasure when she falls in love and gets married to a poor and overly sensitive writer, Gopal, who moves in with them, and continues to suffer verbal abuse at Shamrao's hands.
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame.
