This short film is part of Karpo Aćimović Godina's experimental and documentary work in 1970s Yugoslav cinema. It extends his interest in regional identities, minorities, and the visual traces left by different cultures on Yugoslav territory. The film offers a journey through examples of architecture, decor, and objects related to Islamic tradition in the former Yugoslavia, such as mosques, ornamental elements, and calligraphy. It explores how this art is embedded in the region's history and in the daily lives of the communities that produced it. It is an observational film, without a dramatic plot, functioning primarily as a "visual essay" on the material culture of Islam in a Balkan context. The tone is analytical and contemplative, closer to a cultural study or a poetic inventory.
Depicting the sun rising on a midwestern winter landscape filmed over 1 hour and 10 minutes, this film explores the relationship between natural light and the illusion of passing time through superimpositions and high framerates.
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence.
Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes.
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary.
To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another.
A couple is suffering from sexual estrangement. The husband is having an affair with his secretary and the wife takes up with Sandra an interior decorator.
Shanta Dhamle lives a wealthy lifestyle in Bombay along with her dad, Shamrao, and mom, Ansuya. She incurs their displeasure when she falls in love and gets married to a poor and overly sensitive writer, Gopal, who moves in with them, and continues to suffer verbal abuse at Shamrao's hands.
A young bank teller, literally allergic to paper money, becomes the worst nightmare of his best customer, a wealthy butcher who manages his business unscrupulously.
Don Serafin has a complex: to all the beautiful women always seen with a beard. To remove the complex and try to cure him, his friends will lead to Biarritz.
Comments
Have you watched Islam yet? What did you think about it?
