A group of kids discover that an abandoned cabin has suddenly come alive with a mysterious person whom they suspect is a drug pusher. They discover that even though they were fooled by the identity of the intruder, God is never fooled, and knows our hearts, our sin, and our need of His Son.
Pa, a moonshining chicken farmer, is worried that his dim-witted son Junior is becoming way more attracted to their cow Sassy Sue than he should be, so he sets out to gather up all the nubile young farmgirls in the area and get them to show Junior what he's missing.
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame.
Don Serafin has a complex: to all the beautiful women always seen with a beard. To remove the complex and try to cure him, his friends will lead to Biarritz.
With King Richard off to the Crusades, Prince John and his slithering minion, Sir Hiss, set about taxing Nottingham's citizens with support from the corrupt sheriff - and staunch opposition by the wily Robin Hood and his band of merry men.
It is 1905. The police director gets Jindrich Legenda (Eduard Cupák) shadowed as, yet Legenda had served his sentence for a burglary, the jewels have not been found.
The innkeeper Barnabáš and the teacher Isidor Slovíčko succumb to the lure of old Moreles, to whom the young Taussig sends enthusiastic letters from America.
Two rival street gangs from Kowloon go to war over turf and bar girls so as to dominate the area and maximize their takings; however things go from bad to worse as the girls start to get involved in the bloody feud.
Shanta Dhamle lives a wealthy lifestyle in Bombay along with her dad, Shamrao, and mom, Ansuya. She incurs their displeasure when she falls in love and gets married to a poor and overly sensitive writer, Gopal, who moves in with them, and continues to suffer verbal abuse at Shamrao's hands.
In this film the director's recurring concerns return: the divisions in the Chilean left, and its contradictions between what the director calls the "traditional" and the "revolutionary" left.
Comments
Have you watched Mysterious Cabin yet? What did you think about it?