Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.
Mars, 2035. The daily wearout overtires the space’s station crew. The anger of one of the members arises, there is no other choice but to conceal it, in order to preserve the apparently cohesiveness of the team.
Shot in Ireland and Poland - a journey that explores ideas of decision, choice, consequence, circumstance and time among other things, a personal perception on how we try to find whatever it is we are searching for.
Simplistic drawings portray the myths and rituals of the ancient Moche civilization as interpreted by the filmmaker from the artwork on Moche pottery, inspired by Donnan McClelland's "Sex and Death.
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.