1974 concert on German TV show Musikladen/Beat Club. 1. Jam 2. Contusion 3. Higher Ground 4. Don't You Worry 'Bout A Thing 5. I Can See The Sun In Late December 6. He's Misstra Know-It-All 7. Living For The City 8. Superstition. Stevie Wonder vocals, keyboards / Reggie McBride bass / Mike Sembello lead guitar, keyboards / Ollie E. Brown drums / Marlo Henderson rhythm guitar / Denice Williams, Shirley Brewer & Lani Groves background vocals
The northern soul phenomenon was the most exciting underground British club movement of the 1970s. At its highpoint, thousands of disenchanted white working class youths across the north of England danced to obscure, mid-60s Motown-inspired sounds until the sun rose.
James Brown changed the face of American music forever. Abandoned by his parents at an early age, James Brown was a self-made man who became one of the most influential artists of the 20th century, not just through his music, but also as a social activist.
A documentary on funk and P-funk and the bands and artists that made it all happen: James Brown, Sly Stone, George Clinton, Bootsy Collins, Maurice White and his Earth Wind & Fire, Average White Band, Kool & The Gang and lots more.
Take Me to the River is a film about the soul of American music. The film follows the recording of a new album featuring legends from Stax records and Memphis mentoring and passing on their musical magic to stars and artists of today.
During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity.
James Brown's legacy has influenced rap, soul, funk and R&B. But along with his huge talent, there's a dark side to Brown's success that includes stints in prison and unceasing tabloid speculation.
Allied to a four-year Daily Mirror campaign by John Pilger that helped achieve compensation for many of the forgotten and mostly working class victims of the notorious drug prescribed to women during pregnancy.
Following Tung's death in a mysterious plane crash, a police investigator replaces him to investigate the shady dealings of a gang of criminals led by Feng Wei, cousin of the dead.
Directed by Sam Pillsbury, this 1974 film observes Ralph Hotere — one of New Zealand’s greatest artists — at a moment when excitement is gathering about his work.
